Do you put extra effort into making your characters
interesting?
One of the best compliments an author can here is “Wow, you
have such vivid characters! I feel like
I know them. I was so sad when the story
was finished, I want to know what happens to them after they got married/ saved
the world / found the treasure.”
I have received this kind of compliment on two different
occasions. Once, a person was just
raving about everything I did. “I love
your story! Your characters are
amazing! Why aren’t you on the New York
Times best sellers list?” That felt
good. The second time someone
complimented the people in my story the person said this: “Well, your story
sucked, but at least your characters weren’t flat.”
Ouch. But hey, you
gotta take compliments as they come.
It can be a hard thing to make well rounded people come up
from the pages. Sure, in my imagination,
everyone I write about is really cool and complex. The male hero of the last story I wrote is a
perfect example. He played with dolls
until he was a teenager, added Frank’s Red Hot Sauce to everything he ate, and
really enjoyed watching Irish step dancing.
The challenge is to sneak in this information. I am mostly a short story writer. How can I work all the wonderful quirks into
20,000 words or less? Sometimes it is a
hard thing to do even in a novel. One of
the main criticisms of Twilight was that Bella had no hobbies except cooking
for her father and loving Edward. How
hard would it have been for the author to sneak in something to round out her
main female character just a little bit?
As in, “Bella really liked bird
watching and knitting, but now that Edward was gone, she couldn’t concentrate
on either activity.”
I’m not being critical to Stephenie Myer. Heck, she’s a billionaire, and I’m still
working on my first stories. But I do
make my point. Characters are people
too. They have their warts and their
faults, their good sides and their weakness.
They have hobbies and interests.
Just because something is going on in their life (AKA: whatever you are
writing about, also known as the story), they are still the person they were
yesterday. A mature writer will realize
his hero can be a jerk and his villain will have a fondness for small, furry
animals. Nobody is all good or all
evil. When you write your characters,
you need to remember that bit of wisdom.
You can also take that as tough men drink wine coolers, little girls in
tutus play zombie killer, and the uptight school teacher has pierced nipples.
I once heard that a writer should write out entire family
trees and back stories for their characters.
Then they should discard it and start writing their stories. To me, that’s a lot of unnecessary work. My trick for writing well-rounded
people: take your character and assign
it three odd personality quirks. The
housewife will like to skydive, paint her toenails black, and she runs three
miles in the morning. The baker will
hate the taste of chocolate, takes 40 minute showers, and never celebrate his
birthday. They don’t all have to be
contradictions, just specific odd things about the character you are working
with. The goal is not to add these tiny
bits of information into the story, just to have it in the back of your
mind. It’s quicker than writing character bios, but
same idea.
So write those well rounded characters. Write about that darling little girl who
kills her parents! Write about that gang
of teenagers who feed homeless dogs! Heck, write about grandmothers who knit
sweaters for all I care.
Just make sure they are listing to Death Metal when they are
doing it.
Picture credit, themetapicture.com
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